HomeGirls
(eVideo)
Contributors
Cirillo, Elizabeth, filmmaker
University of Southern California Cinematic Arts (Firm), Distributor
Kanopy (Firm), Distributor
University of Southern California Cinematic Arts (Firm), Distributor
Kanopy (Firm), Distributor
Published
[San Francisco, California, USA] : University of Southern California Cinematic Arts, 2015., Kanopy Streaming, 2018.
Physical Desc
1 online resource (streaming video file) (22 minutes): digital, .flv file, sound
Status
Description
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More Details
Format
eVideo
Language
English
Notes
General Note
Title from title frames.
Participants/Performers
Joselyn Aguilar, Maria Hidalgo
Date/Time and Place of Event
Originally produced by University of Southern California Cinematic Arts in 2015.
Description
Homeboy Industries, the world's largest gang intervention and re-entry organization, offers an unparalleled 18-month job-training program for recovering drug addicts and ex-gang members. The short documentary HOMEGIRLS intimately follows the lives of two of the programs' female participants, Maria and Joselyn, over four months as they attempt to leave the past behind and start anew.. Through cinéma vérité filmmaking, our complex subjects face daily trials and tribulations. As Joselyn undergoes painful tattoo removal, and Maria tries to reconnect with her son at his birthday party, we witness their utter vulnerability, anger, defiance, and guilt. As they seek redemption from past demons, repair relationships with family, and attempt to transform their lives, the only certainty about their future is that the road to recovery is a constant uphill battle.. Audience Award Winner and Jury Award Winner of Best Documentary Film at the California Women's Film Festival.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Cirillo, E. (2015). HomeGirls . University of Southern California Cinematic Arts.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Cirillo, Elizabeth. 2015. HomeGirls. University of Southern California Cinematic Arts.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Cirillo, Elizabeth. HomeGirls University of Southern California Cinematic Arts, 2015.
MLA Citation, 9th Edition (style guide)Cirillo, Elizabeth. HomeGirls University of Southern California Cinematic Arts, 2015.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
d8a39c47-5f57-6aad-7002-449f61502555-eng
Grouping Information
Grouped Work ID | d8a39c47-5f57-6aad-7002-449f61502555-eng |
---|---|
Full title | homegirls |
Author | university of southern california cinematic arts |
Grouping Category | movie |
Last Update | 2023-12-13 11:12:01AM |
Last Indexed | 2024-05-25 04:10:05AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Jan 16, 2022 |
Last Used | May 8, 2024 |
Marc Record
First Detected | May 07, 2018 12:00:00 AM |
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Last File Modification Time | Dec 13, 2023 11:15:04 AM |
MARC Record
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520 | |a Homeboy Industries, the world's largest gang intervention and re-entry organization, offers an unparalleled 18-month job-training program for recovering drug addicts and ex-gang members. The short documentary HOMEGIRLS intimately follows the lives of two of the programs' female participants, Maria and Joselyn, over four months as they attempt to leave the past behind and start anew.. Through cinéma vérité filmmaking, our complex subjects face daily trials and tribulations. As Joselyn undergoes painful tattoo removal, and Maria tries to reconnect with her son at his birthday party, we witness their utter vulnerability, anger, defiance, and guilt. As they seek redemption from past demons, repair relationships with family, and attempt to transform their lives, the only certainty about their future is that the road to recovery is a constant uphill battle.. Audience Award Winner and Jury Award Winner of Best Documentary Film at the California Women's Film Festival. | ||
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