The Day I Will Never Forget
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Women Make Movies, 2002., Kanopy Streaming, 2024.
Physical Desc
1 online resource (streaming video file) (90 minutes): digital, .flv file, sound
Status
Description
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More Details
Format
eVideo
Language
Swahili
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Women Make Movies in 2002.
Description
A gripping feature documentary by acclaimed filmmaker Kim Longinotto that examines the practice of female genital mutilation in Kenya and the pioneering African women who are bravely reversing the tradition. In this epic work, women speak candidly about the practice and explain its cultural significance within Kenyan society. From gripping testimonials by young women who share the painful aftermath of their trauma to interviews with elderly matriarchs who stubbornly stand behind the practice, Longinotto paints a complex portrait of the current polemics and conflicts that have allowed this procedure to exist well into modern times. Demystifying the African tradition of female circumcision, Longinotto presents Nurse Fardhosa, a woman who is single-handedly reversing the ritual of female circumcision one village at a time by educating communities about its lasting emotional and physical scars. Also profiled are an inspiring group of runaway girls who are seeking a court injunction to stop their parents from forcing them to go through with the practice. Through their words the full implications of breaking with tradition are made clear, as is the incredible courage of the women and girls who risk social ostracism by taking a stand against the practice.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Longinotto, K. (2002). The Day I Will Never Forget . Women Make Movies.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Longinotto, Kim. 2002. The Day I Will Never Forget. Women Make Movies.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Longinotto, Kim. The Day I Will Never Forget Women Make Movies, 2002.
MLA Citation, 9th Edition (style guide)Longinotto, Kim. The Day I Will Never Forget Women Make Movies, 2002.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
bb6172d2-5cbb-f369-7c12-a5b7477b41cf-swa
Grouping Information
Grouped Work ID | bb6172d2-5cbb-f369-7c12-a5b7477b41cf-swa |
---|---|
Full title | day i will never forget |
Author | women make movies |
Grouping Category | movie |
Last Update | 2024-01-17 08:25:30AM |
Last Indexed | 2024-06-29 04:02:07AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | May 16, 2024 |
Last Used | Jun 18, 2024 |
Marc Record
First Detected | Jan 17, 2024 08:25:57 AM |
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Last File Modification Time | Jan 17, 2024 08:25:57 AM |
MARC Record
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520 | |a A gripping feature documentary by acclaimed filmmaker Kim Longinotto that examines the practice of female genital mutilation in Kenya and the pioneering African women who are bravely reversing the tradition. In this epic work, women speak candidly about the practice and explain its cultural significance within Kenyan society. From gripping testimonials by young women who share the painful aftermath of their trauma to interviews with elderly matriarchs who stubbornly stand behind the practice, Longinotto paints a complex portrait of the current polemics and conflicts that have allowed this procedure to exist well into modern times. Demystifying the African tradition of female circumcision, Longinotto presents Nurse Fardhosa, a woman who is single-handedly reversing the ritual of female circumcision one village at a time by educating communities about its lasting emotional and physical scars. Also profiled are an inspiring group of runaway girls who are seeking a court injunction to stop their parents from forcing them to go through with the practice. Through their words the full implications of breaking with tradition are made clear, as is the incredible courage of the women and girls who risk social ostracism by taking a stand against the practice. | ||
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