Catalog Search Results
Series
Publisher
Media Education Foundation
Pub. Date
2020.
Language
English
Description
Former Syracuse University quarterback and NFL veteran Don McPherson examines how narrow definitions of masculinity adversely affect women and create "blind spots" that hinder the healthy development of men. Dissecting the strict set of beliefs and behaviors that underpin our understanding of masculinity, he contends that we don't raise boys to be men, we raise them not to be women, and argues that viewing violence against women as a "women's issue"...
Series
Publisher
Media Education Foundation
Pub. Date
2020.
Language
English
Description
Broken Trust takes an unflinching look at the secret world of sexual and emotional abuse experienced by athletes. Moving beyond attention-grabbing headlines, the film draws on courageous first-hand testimonies from Olympic and national-class athletes and coaches to reveal how victims in the sports world are often isolated and ostracized for speaking out, how parents are pressured to keep silent when confronted by abusive coaches, and how more and...
Series
Publisher
The Video Project
Pub. Date
2015.
Language
English
Description
The Babushkas of Chernobyl of the collection of films - The Babushkas of Chernobyl. The Babushkas of Chernobyl journeys into the Chernobyl Exclusion Zone several decades after the world's worst nuclear disaster in April 1986. The tightly regulated 1000 square mile Dead Zone remains one of the most radioactively contaminated places on Earth, complete with military border guards.. Surprisingly, a defiant, spirited group of elderly women scratches out...
Series
Publisher
Flicker Alley
Pub. Date
1929.
Language
English
Description
This early sound drama was Iribe's second directorial effort and uses cinematic techniques to visualize Goethe's 1782 ballad ERLKÖNIG and Schubert's later musical adaptation. Produced by Iribe's Les Artistes Réunis, this story of the evil Erl King and fairies who follow a father and his sick son speaks to film's power to externalize what literary and musical models cannot.
Series
Publisher
Flicker Alley
Pub. Date
1935.
Language
Deutsch
Description
Taking its title from the Nuremburg Rally of 1935, this short documentary presents the armed forces of the Third Reich as an efficient system of bodies and machines in motion. The film is a dangerous and propagandistic celebration-through dynamic visuals and careful editing-of the machines of war and the formations and gestures of the people who make them run.
Series
Publisher
Flicker Alley
Pub. Date
1927.
Language
English
Description
Returning to a pre-Russian Revolution mode of narrative storytelling, this melodrama focuses on two peasant women-one the victim to an abusive father-in-law and the other emancipated. Preobrazhenskaia takes her time, repeating shots of objects in action, hands at work, and the dizzying movements that comprise the rituals of rural life. The film ends on a hopeful note, celebrating the self-sufficient new (Soviet) woman. Music by Sergei Dreznin.
Series
Publisher
Flicker Alley
Pub. Date
1914.
Language
English
Description
This short farce is often only discussed as the vehicle for the onscreen debut of Chaplin's iconic Tramp (here more lecherous and inebriated than later incarnations). However, Normand, who also stars, captures the chaotic slapstick violence with expert clarity, staging for the camera a comedy of manners and miscommunication. Music by the Mont Alto Motion Picture Orchestra.
Series
Publisher
Flicker Alley
Pub. Date
1912.
Language
English
Description
While this film is, according to film historian Alison McMahan, "'against' the oppression of women," it "tells us more about the social and economic pressures to 'Americanize'" and assimilate foreigners like Guy Blaché. The film follows an Eastern European couple that comes to the United States, where the husband learns four lessons in "Americanism." Music by Frederick Hodges.
Series
Publisher
Mark Rappaport
Pub. Date
2014.
Language
English
Description
A video essay exploring the frequency and meaning of Vanity Tables in a wide variety of Sirk movies. Is it a device that traps and keeps women in an artificial world with a limited point of view? Or is it a gateway to the past, and the future, and a distorted but nevertheless real vision of the roles that woman are forced to play in society?
11) Spook Sport
Series
Publisher
Flicker Alley
Pub. Date
1939.
Language
English
Description
SPOOK SPORT announces itself as a new kind of film ballet comprised of "color, music, and movement," and is a lively interpretation of a night at a graveyard where colored shapes representing bats, ghosts, and spooks jump, shimmy, bounce, glide, and spiral across the frame. Bute hired animator Norman McLaren to draw these forms directly onto the filmstrip. Filmed in two-color Cinecolor.
12) Suspense
Series
Publisher
Flicker Alley
Pub. Date
1913.
Language
English
Description
Weber stars as a young mother who is home alone when a burglar enters her house in this visually captivating and stylistically advanced thriller. The chase scene, the use of split-screen, and the shots of the burglar ascending into the house are all powerful visuals that proclaim Lois Weber's skill as a film director. Music by Frederick Hodges.
13) Falling Leaves
Series
Publisher
Flicker Alley
Pub. Date
1912.
Language
English
Description
This straightforward family melodrama was filmed while Solax was still located in Flushing, New York. FALLING LEAVES echoes aspects of O'Henry's 1907 short story "The Last Leaf" and depicts the clever attempts of a concerned young girl trying to save her older sister who is dying of consumption. Music by Tamar Muskal.
Series
Publisher
Flicker Alley
Pub. Date
1943.
Language
English
Description
More women worked in film during its first two decades than at any time since. Unfortunately, many early women filmmakers have been largely written out of film history, their contributions undervalued. This necessary and timely collection highlights the work of 14 of early cinema's most innovative and influential women directors, re-writing and celebrating their rightful place in film history. International in scope, this groundbreaking collection...
15) Parabola
Series
Publisher
Flicker Alley
Pub. Date
1937.
Language
English
Description
Produced by Bute's company Expanding Cinema and made in collaboration with Ted Nemeth and sculptor Rutherford Boyd, PARABOLA is a celebration of film's ability to create new ways of seeing the forms around us. Creating juxtaposition between light/shadow, stasis/motion, and form/music, the black-and-white short invites us to see the parabolic curve, or "nature's poetry," as both invigorating and beguiling.
16) The Stolen Heart
Series
Publisher
Flicker Alley
Pub. Date
1934.
Language
English
Description
Based on a fable by Ernst Keienburg, this short drama exhibits an entrancing sense of space. As a story about a monstrous man who steals a town's musical instruments, scholars argue that this is an anti-Nazi allegory. When the musical instruments come to life, Reiniger's playful silhouette animation celebrates the power of music as joy overcomes evil.
17) Harlequin
Series
Publisher
Flicker Alley
Pub. Date
1931.
Language
English
Description
Reiniger had already completed her full-length masterpiece THE ADVENTURES OF PRINCE ACHMED (1926) when she made this animated tale of romance at the age of 32. A love story set to a Baroque score, HARLEQUIN is a delicate black-and-white ballet rendered through exquisitely detailed silhouettes.
Series
Publisher
Flicker Alley
Pub. Date
1933.
Language
English
Description
Taking 18 months to complete, this dizzyingly surreal pinscreen animation interprets music by Mussorgsky as interplay between shadow/light, permanence/impermanence, motion/stillness, human/animal, and night/day. Parker and Alexeieff slowly created the imagery for this dream-like world by constantly adjusting the pins on the board and then filming what their shadows generated.
Series
Publisher
Flicker Alley
Pub. Date
1912.
Language
English
Description
In this drama about a man's gambling addiction and the woman who loves him, Guy Blaché is a master of cinematic space and skillfully stages the action in the foreground and background of the frame. This film is also notable for the nightmare sequence, which, via superimposition, depicts playing cards circling the man and pulls us into his dizzying burden. Music by Frederick Hodges.
20) The Blot
Series
Publisher
Flicker Alley
Pub. Date
1921.
Language
English
Description
The last film made under the banner of Lois Weber Productions, this moral drama, also written by Weber, tackles issues of class and economic inequality, "exploring the 'blot' of society's disregard for its educators and clergymen," according to Weber biographer Shelley Stamp. The real focus of the story is the female protagonists and the anxieties, desires, and prejudices wrapped up in their economic positions. Music by Rodney Sauer and the Mont Alto...
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