'Hide and Seek' tells the story of Lou, a twelve year old girl coming to terms with her budding sexuality in the mid 1960s. Her bittersweet tale is skillfully interwoven with clips from a wide array of scientific and educational films, as well as interviews with adult lesbians who recount their adolescent attractions to girls, how they felt when they first heard the word lesbian, where they fit in the butch/femme continuum, and their thoughts about...

35mm 1.33:1 black & white silent 24fps, 8:53 minutes; new music by Donald Sosin; preserved by Gosfilmofond of Russia. The most fantastic effects were secured in shooting sheer heights ... It was partly the architectural wonder of New York that made the film so stirring, but, really, it was the artist's touch that moved one, the catching of mood, line, color, and feeling in the strange, walled city.-_Marguerite Tazelaar_

35mm 1.33:1 black & white silent 20fps, 6:40 minutes; production assistance Man Ray, Marc Allégret; new music by Gustavo Matamoros; preserved by Det Danske Filminstitut. Thought provoking and offensive are possible ways to interpret the ten optical discs and corresponding puns displayed in the film. The word play fo French syllogisms gleefully collides with the protruding-receding optical illusions of the rotating spheres. Julien Levy called the...

Manhatta documents the look of early-20th-century Manhattan. With the city as subject, the film consists of 65 shots sequenced in a loose non-narrative structure, beginning with a ferry approaching Manhattan and ending with a sunset view from a skyscraper. The primary objective of the film is to explore the relationship between photography and film; camera movement is kept to a minimum, as is incidental motion within each shot. Each frame provides...

16mm 1.37:1 black & white with color tint silent 18fps, 6:07 minutes; completed by Lawrence Jordan; new music vintage circus organ; courtesy of Lawrence Jordan. Cornell's editing tactic is to seduce through the use of dislodged movie tropes. Hence the viewer is cut loose from any normal meanings to pursue the snippets of clips and fragments taken from long-forgotten obscure movies. One is encouraged to let the Cornellian montages wash over them in...

Mark Rappaport's second feature film (amongst a remarkable string of off-beat, experimental narratives that runs from CASUAL RELATIONS to CHAIN LETTERS) takes off from the deliberate anachronism of using modern props, performance styles and attitudes to evoke the romantic entanglements of the young Wolfgang Amadeus Mozart (Rich La Bonte) with three sisters: Constanza (Margot Breier), Sophie (Sasha Nanus) and Louisa (Sissy Smith). This melodramatic...

16mm 1.37:1 color sound, 4 minutes; music by Igor Stravinsky; preserved by Bruce Posner and Anthology Film Archives at Cineric, Inc. from camera original; courtesy of the filmmaker. The December 7th attack on Pearl Harbor motivated painter-filmmaker Francis Lee to produce these abstract images evocative of the horrors of war. Splattered wet paint and broken light bulbs allude to the senseless destruction. The potent visuals are reinforced by the driving...

16mm 1.37:1 black & white intentionally silent 16fps, 8:09 minutes; courtesy of the filmmaker. Photographer Rudy Burckhardt shows us the ebb and flow of people rushing about Manhattan. Equally exhilarating in his novel approach to snap images quickly on the run, a method he inaugurated and that continues to the present day. In film, he added slow and fast motion, split-screens and superimpositions to his repertory.

16mm 1.37:1 color sound, 5:43 minutes; camera Sandy D'Annunzio; music Indiran; with Lee Vogt, Amy Greenfield, Chuck Williams, Steven Holly, Joel Polinsky, Don Young, Tom Vint; preserved by Amy Greenfield at WRS Film Lab from camera originals; courtesy of the filmmaker. _Transport_ came out of many influences in the early 1970s: the dead of Vietnam; the poem by my poetry teacher Anne Sexton, _For God While Sleeping_; the post-modern dance experiments...

16mm 1.37:1 color sound, 11:46 minutes; music Bumblebees Sip Honey by Peliatan Gamelan; mastered from a composite print; courtesy of the filmmaker, Chicago Film Archives. DL2 reflects the influence of the American Bauhaus movement in Chicago introduced by Laszlo Moholy-Nagy during the late 30s/early 40s. The film was made by shocking 10-foot strips of unprocessed black and white film into tanks of cold water, fixer, hot water, developer and then repeating...