Like the 'Lysistrata,' the 'Thesmophoriazusae, or Women's Festival,' and the next following play, the 'Ecclesiazusae, or Women in Council' are comedies in which the fair sex play a great part. In 'The Thesmophoriazusae' Euripides is summoned as a notorious woman-hater and detractor of the female sex to appear for trial and judgment before the women of Athens assembled to celebrate the Thesmophoria, a festival held in honour of the goddesses Demeter...

Along with Sophocles and Euripides, Aristophanes is considered one of the three great Greek playwrights. Only eleven of his nearly forty plays survive in their entirety to this day. "The Frogs and Other Plays" includes the titular play along "The Wasps" and "The Thesmophoriazusae." Produced the year after the death of Euripides, "The Frogs" laments the decay of Greek tragedy which Aristophanes attributed to that writer. It is an admirable example...

Greek playwright, Aristophanes, lived during the 5th and 4th century BC and is considered one of the principal authors of the Greek classical period. Of the nearly thirty plays he wrote during his career, eleven are extant. Amongst the most famous of these is "Lysistrata," a comedy which focuses on the women of Greece whose husbands have left for the Peloponnesian War. The women do not care about the conflict as much as they care about missing their...

"The first translation to capture the antic outrageousness and lyrical brilliance of antiquity's greatest comedies. The citizens of ancient Athens enjoyed a freedom of speech as broad as our own. This freedom, parrhesia, the right to say what one pleased, how and when one pleased, and to whom, had no more fervent champion than the brilliant fifth-century comic playwright, Aristophanes. His plays, many of them immensely popular with the Athenian public,...

The Knights is a satire on political and social life in 5th-century BC Athens, the characters are drawn from real life and Cleon is clearly intended to be the villain. However it is also an allegory, the characters are figures of fantasy and the villain in this context is Paphlagonian, a comic monstrosity responsible for almost everything that's wrong with the world.

Greek playwright Aristophanes spins wonderful stories combining politics, satire, and classic Greek gods in this collection of "Lysistrata and Other Plays." "Lysistrata" focuses on the women of Greece whose husbands leave for the Peloponnesian War. The women do not care about the war as much as they care about missing their husbands; Lysistrata also insists that men rarely listen to women's reasoning and exclude their opinions on matters of the state....

The Plays of Aristophanes (425 BC-388 BC) is a collection of comedies by Athenian playwright Aristophanes. Noted for his exploration of fantasy, sexuality, and contemporary politics, Aristophanes was a leading figure in Old Attic Comedy whose award-winning plays continue to delight and inspire nearly 2,500 years after they were first performed. This collection includes some of his best-known work, showcasing his talent as an unmatched humorist and...

A group of women, led by the wise and redoubtable Praxagora, has decided that the women of Athens must convince the men to give them control of the city, as they are convinced they can do a better job. Disguised as men, the women sneak into the assembly and command the majority of votes needed to carry their series of revolutionary proposals, even convincing some of the men to vote for it on the grounds that it is the only thing they have not tried....

The second in a series of three comedies, 'Peace', along with 'The Acharnians' and 'Lysistrata', called for an end to the Peloponnesian war. The 'Peace' was brought out four years after 'The Acharnians' (422 B.C.), when the war had already lasted ten years. The leading motive is the same as in the former play-the intense desire of the less excitable and more moderate-minded citizens for relief from the miseries of war.

Chremylus, a poor but just man, accompanied by his servant Cario consults the Delphic Oracle concerning his son, whether he ought not to be instructed in injustice and knavery and the other arts whereby worldly men acquire riches. By way of answer the god only tells him that he is to follow whomsoever he first meets upon leaving the temple, who proves to be a blind and ragged old man. But this turns out to be no other than Plutus himself, the god...