Includes two films: Continuum and Deconstruction Sight.. "This is history without narrative, an abstract summation of what happens when human beings move stuff around and make something of it, grow tired of what they've made and demolish it using other things they've made, and then start all over again. What we build, what we destroy, what we find useful to do both, how we let our interaction with them describe what we call human - these are some...

Films produced by Dominic Angerame between 2002 to 2013..

Films produced by Janis Crystal Lipzin from 2003 to 2014..

Short films by Denah Johnston.

Collection of works by Constance Beeson..

A collection of films by Lynne Sachs ranging from short films to experimental documentaries..

Although LOCAL COLOR is usually credited as being a minimalist film through its foregoing of complicated set design, director Mark Rappaport has intentionally conducted a feeling of excess in its textual elements. A shifting interior monologue among the cast of eight complicates our perspective of how this film is meant to be felt: without a form of protagonist, we are meant to reevaluate all of the characters’ actions when their intentions are...

VIVA LA DANCE is part of the film retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema.. Dance and film have shared the aspiration to creatively sculpt motion and time. Some of the first films ever made featured Annabelle’s skirt dance, hand-painted in glowing colors. Isadora Duncan and Ruth St. Denis’ innovations found their way into Diana the Huntress (1916) and Soul of the Cypress (1920). Highly cinematic renditions...

Light Rhythms is part of the film retrospective Unseen Cinema that explores long-forgotten American experimental cinema.. The rhythmic elements of cinema are explored by artists and filmmakers fascinated in the abstract qualities of light. The American authors of avant-garde classics Ballet mécanique (1923-24), Anémic cinéma (1926), and Nuit sur le Mont Chauve (1934) are finally acknowledged for their seminal artistic achievements made in Europe....

INVERTED NARRATIVES is part of the retrospective UNSEEN CINEMA that explores long-forgotten American experimental cinema.. In this collection, early directors D.W. Griffith and Lois Weber develop the radical language of cinema narrative through audience-friendly melodramas made for nickelodeon theaters. Experimental fantasies are depicted in such independent productions as MOONLAND (c.1926), LULLABY (1929), and THE BRIDGE (1929-30). Depression era...