Science Fiction Theatre
(eBook)

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Published
Wayne State University Press, 2024.
ISBN
9780814350300
Status
Available Online

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Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

J. P. Telotte., & J. P. Telotte|AUTHOR. (2024). Science Fiction Theatre . Wayne State University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

J. P. Telotte and J. P. Telotte|AUTHOR. 2024. Science Fiction Theatre. Wayne State University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

J. P. Telotte and J. P. Telotte|AUTHOR. Science Fiction Theatre Wayne State University Press, 2024.

MLA Citation, 9th Edition (style guide)

J. P. Telotte, and J. P. Telotte|AUTHOR. Science Fiction Theatre Wayne State University Press, 2024.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDf608fe12-c293-b28b-1f2a-4095e33ad5e6-eng
Full titlescience fiction theatre
Authortelotte j p
Grouping Categorybook
Last Update2024-02-10 05:30:26AM
Last Indexed2024-04-27 04:30:09AM

Book Cover Information

Image Sourcehoopla
First LoadedApr 26, 2024
Last UsedApr 26, 2024

Hoopla Extract Information

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    [synopsis] => In the wake of the juvenile space operas of the early 1950s, a groundbreaking series debuted and paved the way for one of viewers' favorite genres today: adult-oriented science fiction. Science Fiction Theatre aired with a fresh anthology-style narrative from the vision of veteran producer Ivan Tors and with compelling narration by Truman Bradley. Created by industry-leading syndicator Ziv Television Programs, the show pioneered a scientifically based approach to aliens, telepathy, and the mysteries of the universe that provided a model for Rod Serling's The Twilight Zone (1959–64) and a myriad of acclaimed programs that followed, including The Outer Limits (1963–65), The Ray Bradbury Theater (1985–92),and Black Mirror (2011–present). This book contextualizes Science Fiction Theatre within the budding American television industry of the 1950s, as powerful networks and independent producers and syndicators vied to create and distribute programming to an audience eager to embrace this new, free medium. Including a complete videography of this historically neglected series, author J. P. Telotte illuminates Science Fiction Theatre as a touchstone for understanding the development of science fiction media and the dynamic nature of early television broadcasting.
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